This is not an example of a borrowed scene, but more of an interpretation. Aside from symmetry, Wes Anderson also loves the shots where characters look directly into the camera and breach the 4th wall.

Henri-Georges Clouzot shot his film Inferno in 1964. At the time, actress Romy Schneider had glitter on her face and used light to make the shot “move.” Anderson used the Bokeh effect, instead of makeup, in his The Grand Budapest Hotel and used different color transitions. So, this is the perfect example of the new interpretation of an old idea.