“(Young, slightly-built woman single-handedly beats up a squad of muscle-bound marines.) “I had three brothers.”.
“I hate how any computer nerd can hack everything from the world’s biggest banks, to missile silos, all with less than a dozen keystrokes on a Dell laptop. Then comes the line I hate….”We’re in!”
“Turn on the news! You gotta see this!” *Turns on the tv to the exact channel at exactly the right time to further an important plot point.*.”
“I won’t kill you because I’m not like you”, any version of this line spoken by the protagonist to the big bad right after the epic battle where numerous foot soldiers have just been slaughtered.”
“It’s hard to be too annoyed because I understand why it’s needed, but when characters use each other’s names/relations way too often to establish it with the audience.
“Not great, Dan. My husband, Tom, told me you don’t have the tickets. Now, I know he’s your big brother and all…”.”
"“”We don’t have any other choice.”
“We have no choice”
“There’s no other way”
Usually it is just lazy writing to justify doing something stupid. If there really was no other choice it would be apparent to the audience from your storytelling.”"
“When characters are introduced as siblings by calling each other “bro” or “sis”.
“Zoom and enhance.”.
“We’ve got company.”
“The wilhelm scream needs to die already. Unless it’s a comedic movie, Indiana Jones, or Starwars, it absolutely kills the mood for me in serious action scenes.”
“You just don’t get it, do you?!”.
“I think you should take a look at this” in basically a million movies.”
“Bane “You came back to die with your city”
Batman “no, I came back to stop you”
Awful.“
“Who’s there? [insert person’s name] stop screwing around I know it’s you!” / “HELLO? HELLLLOOOO? WHO’S THERE?”
He _will_ die
The same applies to computers. just look at #2