"I mean, I was about 16 when The Matrix came out in theaters. I think everyone who saw it when it came out in theaters walked out of there a changed person."
"With no green screen, Last of the Mohicans is a beautifully shot movie."
"Blade Runner 2049. The blend of neon-soaked cityscapes, sprawling wastelands and hauntingly beautiful lighting made every frame feel like a work of art. It’s the kind of movie you could pause at any moment and hang on your wall"
"Jurassic Park in theater when I was 12. Blew my f@#kin mind"
"Hero"
"I’ve never seen or heard anyone else describe cinematography this way besides myself hahaha I was telling someone a long time ago that Addams Family Values can be paused at any moment and it’s a poster."
"Fury Road was an absolute spectacle in the theater."
"Loving Vincent. They literally painted, frame-by-frame, a full-length film in the style of Van Gogh. It was haunting in a beautiful way. How it didn’t win an Oscar I’ll never know."
"Lord of the Rings"
"Lawrence of Arabia."
"Pans labyrinth"
"What Dreams May Come"
"Interstellar
Nowadays, Christopher Nolan is really pioneering visuals. The ocean wall in Interstellar comes to mind."
"Apocalypse Now."
"Life of Pi"
"1917"
"Dark City"
"5th Element"
"Secret Life of Walter Mitty. Underrated film in every conceivable way"
"At the time 300"
"To this day, over a half-century later, 2001 remains the most accurate depiction of space travel ever set to film. It is the hardest of hard sci-fi."
"Maybe Crouching Tiger, Hidden Dragon
It had an extraordinary color scheme, great choreography, the costumes were amazing, and the aesthetic complemented the story the film told. They did all that with minimal digital effects, so it didn’t feel like a laser light show nor by making it too overwhelming."
"Dune, based in the Wadi Rum desert which is just as breathtaking in person"
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#12 I'm NOT religious, but "What Dreams May Come" had me stuttering for the first time in my life. As a religious based fantasy it really tried to present it as expected.
You didn't grow up reading 'Heavy Metal' magazine. If you did...you'd understand.
One of the first scenes is a pan-down from a high level of a skyscraper down into the basement parking. Every frame is in focus, and accurate.
Not only the plot, the way it's shot is also brilliant!
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